The four paintings in this room provide diverse comments on the same fact: that of seeing through the eyes of the artist. Eyes connected to a brain whose mental process of introspection is projected and reflected in the works. With a greater or lesser degree of abstraction... or with a greater or lesser degree of iconicity (everything depends on the point of view and the criteria applied); you will see Green Squared, 2013, by FOD, in Celebración diurnal, 1983, by José Manuel Broto, in Wind and rain II, painted between 1983 and 1986 by Juan Navarro Baldeweg, and No es un juego de niños II, a 2019 work by Tomás Pizá. Colour plays a decisive role in all of them, in line with the specific nature of each painting.